Wednesday, 1 February 2012

512: Where's Aethelred?

What ever happened to all the old names?

I don't mean old people names -granny and granda; nana and granddad- Dierdre, Edna, Edith, Dot, Hilary, Donald, Walter, Eugene, Clarence, etcetera, etc, &c. No, those names come and go in fashion and people of my generation are naming their children after their grandparents and great grandparents. I'm interested in Old English names (as opposed to old English) like Cynric, Aelfweard, Beowulf, Balthilda, Eoforwine, Aethelred, and the like. My favourite is the Old Norse king's name Cnut, which is sometimes appears euphemistically as Canute to prevent delicate people from FCUK-style offence.

Before William the Bastard (as opposed to William the Fucking Cunt) conquered these shores you couldn't take two steps without bumping into an Aenglwoart, a Gunricfulf, or an Ooflbraog. Now it's all Alfies, Evies, and I can't think of any more names. There seems to be an exact cut off point of 1066 when almost all of the native names from England (or whatever it was called by the illiterate, silly-named, mud farmers who lived here) disappeared and we were left with all Frenchy names given a slight British twist. Guillaume became William, and Beowulf went the way of the British wolf.

It's fun to make up new ones -like Aetseltron, Morbausort and Weselsaut- and I'd love to burden my children with these beautiful British, bully-attracting names. It'd be fun for a while, then I'd look like a twat if I was still laughing when, as they gradually grew up, the name began to burden them. Instead I'll have to do what every good writer should do and give these names to characters instead of actual real people I have made. As long as I don't start writing fantasy fiction; that will hopefully never happen.

Sorry I'm a bit distracted; I've just discovered that loads of Aphex Twin albums are now on Spotify and in celebration I'm listening to Selected Ambient Works '85-'92 and The Richard D James Album. Ahh, utter bliss. But why not The Beowulf ð Pendraig Aelbum?

Sunday, 29 January 2012

511: Can't Read, Can Use Chopsticks

It was pay day on Friday so I treated my female companion and I to Yo! Sushi (get a soft-shell crab hand-roll, it's delicious), then I treated myself to the new Nick Cohen book You Can't Read This Book. If you're reading this Nick, I'd like to say two things to you: firstly, I can read it and, indeed, am reading it. How dare you make such an assumption about my literacy. Secondly, I love you Nick; every word you write speaks the truth to me; I hate you Nick, you show me how poorly I write and how dopily I think, how lazy I am in my own thinking and writing, you embarrass me in unwillingly prompting me to gush like a newly pubescent sufferer of Beatlemania. I, you know, like, don't really love you.. I was only joking, it was a joke, pff godddd, but you know, I do, sort of, admire you, I guess.

I could discuss the content of the book, You Can't Read This, which is about censorship, particularly in the 21st century, and how the liberal Western world has become permeated with an incipient form of self-censorship designed to appease religious fundamentalists and fanatics, and is driven by fear of violent reprisal. It condemns the idea that it is bigoted to oppose Islamists (Islamic fascists using fatwa and murder to silence free speech); it condemns the liberal politicians, journalists and intellectuals who abandon their principals in favour of double-think when the rights they hold dear are challenged by the enemies of liberalism; the abandonment of Ayaan Hirsi Ali as she fought for the rights of immigrant Muslim women in Holland to live free from violence and intimidation, over the rights of immigrant Muslim men in Holland to live free to inflict violence and intimidation on their women; it condemns the idea that all cultures should be equally respected no matter how totalitarian and illiberal they are; it condemns the idea that free speech should be curtailed to spare the blushes of the pious; it condemns the idea that the illustrator of a comic or the author of a book is to blame for the violence carried out by people claiming to be offended by comics or books.

I could talk about these issues, but Nick Cohen can and does do it better than I do. As do Ayaan Hirsi Ali, Christopher Hitchens, Sam Harris, etc. I on the other hand would like to quote Grayson Perry, then proceed with an unrelated, inoffensive and trivial story about Yo! Sushi:

"The reason I have not gone all out attacking Islamism in my art is because I feel the real fear that someone will slit my throat," said Grayson Perry with candour rare when discussing the lack of mainstream criticism of Islamo-fascism.

So, I was in Yo! Sushi, yeah? It's a popular chain of restaurants serving Japanese food. The diners sit on bar stools along a bar circling the open-plan kitchen, while the food travels around a conveyor belt on tiny plates, colour-coded for different prices. You just lift what you want off the belt, and/or order from the menu. It's good; over-priced, but fun. Sat to my right were another couple of a similar age to us. The woman was really struggling with her chopsticks, he was managing but clumsily, and I am highly proficient having lived in Japan for eight months (Go! Me).

She said to him, "I'm not very good with chopsticks; what's the right way to hold them?" His reply both amused and annoyed me: "There is no right way; you just hold them however you like." This was so stupid and wrong that I did what anyone else would do: I started showing off, picking up very large items of food like the hairy prawns, or tiny items like single grains of rice; putting down and picking up my chopsticks without looking and in a single swift fluid motion, so they just fell into my hands perfectly placed. It was subtle: I didn't want to look like I was conspicuously showing off, but if she looked over I wanted her to see that there clearly was a right way to do it, and neither her nor her partner were doing it right. He held them as though he had just jabbed them through his clenched fist. His chop sticks had no room to open and close, no pincer movement; dear god, I was embarrassed for him.

510: My Band (A Routine)

I'm going to start a band that only works on cruise ships... it'll be called A Band On Ship. It'll be great; we'll never need to play a note. Every time we are announced on stage the crowd will run screaming for the life boats. Which is good for me because I have no musical ability whatsoever. But, if the audience fail to notice the play on words, and just hear a literally-minded band name, they'll remain seated, passive-aggressively demanding I entertain them. I'll be left on stage mumbling A... Band... On... Ship... It's, it's, sort of a joke... a band on ship... I'm sorry but that joke was all I have... there will be no music this evening... sorry, good night and sorry.

What a marvellous idea if I do say so myself (and if I don't). I imagine there is absolutely nothing more simultaneous terrifying and liberating than dying painfully onstage. Looking forward to it and it seems like an unbearably painful humiliation, but I imagine looking back it wouldn't seem so bad, and might give one the power to give it another go. Of course how to respond to deathly silence is one thing, but how to respond to smart arse hecklers, drunken hecklers, or hecklers armed with google who can quickly discover that A Band On Ship is the name of the Alton Towers Resort Hotel resident band.

"Excuse me, Mr. Man on the stage," the heckler might request, after putting his hand up. "It says here that A Band On Ship is the resident band of the Alton Towers Resort Hotel. Pardon me if I'm mistaken, but I do believe we are not currently situated in the Alton Towers Resort Hotel, thus rendering present the possibility that you are not in fact A Band On Ship who are, as previously mentioned, the Alton Towers Resort Hotel resident band."

"Yes I know that." I will respond quick as a flash. "Admittedly I didn't know when I thought of the joke, only discovering so later when I too decided to google the search term "A Band On Ship", however I naively thought you, the collective "you" of this audience, would be able to momentarily suspend your disbelief in order to be rewarded with the permission to giggle. I'm sorry if that isn't enough for you. I thought the resident band at the Alton Towers Resort Hotel was sufficiently obscure that most people wouldn't have heard of them, even going so far as to assume that even people who had seen them perform at the Alton Towers Resort Hotel would not have remembered the name."

"The thought also occurred to me," I continued, "that members of the audience would not find it necessary to source attribution to every little detail, and offer a running dissection of the show. I ask you, nay, I implore you, consider in your heart whether it does indeed matter, for the joke to work, that there is in fact an existent band called A Band On Ship; that they do not in fact perform on a ship, but instead in the Alton Towers Resort Hotel, and I am not actually a real member of the band, A Band On Ship. Does it matter? I ask you."

Thursday, 26 January 2012

509: Pour myself a cup of ambition

A snapshot into my life in especially excruciating detail; I hope you enjoy. I compile a list of products; a particular type of stock which one might browse and purchase when out and about in the high street. These products have, to me, no names, merely numbers for example 72153. Being au fait with the workings of these product codes I am able to disregard the initial seven, knowing like I do that it merely represents my department. The following 21 is the sub-department, and the 53 indicates the style. Therefore I am able to communicate basic ideas about stock using mostly numbers. Working from a list of paper, which looks like 73423, 73283, 73342, 77923, 79893, 79223, 73123, 71293, 74291, 71912, 73989, 79128, 78992, 72912, 79932, 77272, 74322, 71232, 74321, 74121, 73122, 78829, 71923, 73192, 73192 x2, 71922, 71291, 79322, 71492, 71923, I am able to pull from the dusty stock room a large towering pile of boxes. Each box contains between nine and 40 of a product, usually individually wrapped with plastic and paper.

Standing beside the piles of boxes, I create a smaller pile three or four boxes high so that the top-most is at a comfortable working height, requiring me to neither bend nor reach beyond a limit unacceptable to me. Using a safety box opener/knife which I usually keep in my right trouser pocket I slit open the lid. Sometimes I find the safety knife has made its way into my left pocket, and there is usually a moment when I think just a minute, where has that silly little knife gone and put itself? Once the box is open, and the four leaves/tabs are folded back out of the way I proceed to unpack the stock. One at a time I lift each item from the box, remove it from its plastic bag, pull out any cardboard or paper, or any further plastic, and deposit the packaging into an orange bin bag. The bin bag is often tied to the side of a trolley (more about the trolley soon; much more), or sometimes just hung off the side of the box. Sometimes I even put the bag inside the box. More and more recently this has become my preference, as it results in the minimum need for unnecessary twisting and turning.

As each item of stock is removed from its packaging (a process we refer to as prepping; a whimsical shortening of the word preparing) it is placed in a large trolley. When the trolley is full it can then be wheeled onto the shop floor where the stock can be deposited onto the shelves in the appropriate locations. The convenience of the trolley as a medium for transporting stock lies within its possession of four small wheels (almost verging into the realm of castors), one located in each corner of the trolley's base, coming into contact with the floor, and enabling a significant increase in manoeuvrability than one would expect from a similar object lacking wheels. Once the contents of the trolley has been evacuated it can, and should, be wheeled back into the stock room and the process repeated. This is done until its time to go and have a cup of coffee.

Wednesday, 25 January 2012

508: iBlogEveryDay Big Cartel shop

Big Cartel is a simple, easy to use, thing. It's a thing for artists to sell the artists' things wot they make with their artistic natures. I make bits of things sometimes, and pile them up in boxes and corners and under beds. You -if you are using it, which you might well, especially if you are an artist with art to sell- can create a page to sell your stuff, art, and the checkout uses PayPal. I discovered it through Cardboard Kid's very own Cardboard Kid Big Cartel shop. Now there is a very own, very own I Blog Every Day Big Cartel shop HERE. It's really nice; it's a way of life.

Two affordable pieces are currently available. Choose life; choose to read on slightly to do a look at these things. Forgive my nonsense words; I am tired and unwell and happily allowing any old rubbish to come out onto the typewriter:

A glossy postcard of my signature "Octus" octopus drawing. The back of the postcard features a painting of a crow sticking its beak in a deer's ear. It's a classic/it's not totally crap. 
£0.60
So, here is the story: I used to run around with an SLR, before the days of digital, and this habit left me with a LOT of poorly-framed, blurry, and failed photos. Being pre-digital I had no choice but to get these developed.

For your money you get two photographs randomly pulled from the box file currently propping up my desk leg. On the back of each photo I will do a drawing of your choice (illustrated here with a picture of a typewriter and another of a hot dog), and post them lovingly in an envelope with a sort-of pattern thing hand drawn on it. All together this is quite a nice, personalised piece of art.

Series of 400, each individually hand numbered, with my hand (like, I've written the number on each one, and cos each "one" contains two pictures I've labelled them, like, 1a/400, 1b/400, 2a/400, 2b/400 etcetera, etc, &c).

When ordering be sure to include a brief note (in PayPal checkout) stating what drawings you would like, otherwise I'll select something randomishly. Here are some ideas: a pig and a duckling, Harry Potter and clown, forceps and fireplace, headache and horseplay, munchkin and mooning, wedding cake and wheelbarrow, etcetera, etc, &c.

Hope that's clear.
£2.50

507: sigh

You know how they used to use an 'f' in place of an 's' for some reason in old printed books, e.g. 'fcience' etc. Well, they did. I'm watching Botany: A Blooming History on BBC4, through an unpleasant fug of cold with just the slightest hint of flu symptoms, and have just been delighted by an archaic spelling of 'honeysuckle'... can you guess how they spelt it? That's right, 'honeyfuckle', ha ha, honeyfuckle, oh my days! Oh, dear; forgive me Miller and Linnaeus (fight, fight, fight).

Linnaeus gave us the binomial system for classifying life, for which we should all be eternally grateful. Someone else gave me the common cold, or some measly weaselly flu-like thing, for which I will be annoyed and pathetic for the next couple of days. I've already been accused of having man-flu, by 'my' woman, through the medium of tweeting (on twitter), and I've had enough. How much snot must a man produce, before you will call it just flu, and not man-flu? Can't remember what any of this had to do with Linnaeus.

I know it's a real nasty piece of cold because I need to keep a carrier bag near by to collect all the used tissues, and I have spent more time in bed than I have since my student days. And after writing one sentence I can't think what to say next. So, erm. Forget it. Sorry to waste your time. Here are some pictures:

Monday, 23 January 2012

506: Heh heh, Huh huh



I mentioned about owning art in the last post. If I ever make a decent amount of money -decent enough to buy art- this is what I want to spend my money on:


Apparently this magnificent pair of deformed monsters were crafted by Kevin Kirkpatrick, some talented chap who does special effects and make-up for the movies.  I am totally serious when I say that I would buy these now if I had the money.  I've no idea how much they would set me back, and I don't know where I would put them, but I want them.  My life finally has meaning, purpose.